Why I do what I do: How can I come to understand
my educational influence in students' learning through the cross-generation
mentoring of student researchers?

MPhil / PhD Transfer Paper.
For:
Karen Riding
October (2005).
I am proposing this paper as
a creative response to the emergent loving nature within my work with students,
with my colleagues and with co-enquirers. I aim to show, through a multi-media
perspective, how I am able to come to understand my self and my relationship with
others. I hope to share a rough story of self which will demonstrate how,
despite tension and disappointment, I am able to maintain and respond to a
shared life-affirming energy. This energy exists within my work with students
as researchers, within the shared work which is the drive for school
improvement and within my relationship with my husband and co-enquirer. I wish
to embrace Cho’s (2005) notion of love, and
show how this forms part of the complex relationship between the self and I and
between others and my self. This love is divided into three parts; my love for
what I do, our shared love for each other and love shared between the students
and myself. Love is a word that I have struggled to embrace in the political
educational climate in which I work, and is one of the examples that I would
like to share with you of the creative tension that I undergo and have
undergone in order to attain a reality closer to that of my arcadia and to that
of personal and shared vision. In this I refer to Senge’s (1990) notion of
creative tension and vision, one that has often allowed me to see light at the
end of the tunnel on the darkest and coldest of evenings.
I wish to share with you how
the unique relationship of husband and wife alongside that of co-enquirers has
allowed me to demonstrate our shared life-affirming energy, but which has more
importantly, allowed us to then create from this our own unique individual
energy. This encompasses our shared values and love for the other, and allows
each of us to strengthen what we do in the workplace. Understand the uniqueness
that exists between us and the uniqueness of our selves as individuals that we
express in our educational relationships with our students is a focus of this
enquiry.
Throughout my past, current
and intended enquiry I aim to understand the question:
“Why we do what we do?”
I also intend to ask myself
the following key questions alongside this:
“What is the significance
of your individual contributions?”
as asked by Moira Laidlow (1992)
and
“How can I improve what I
doing?” (Whitehead p.105 1993)
These three central
questions focus the research I have undertaken and also to reflect back upon
this as a worthwhile process which has allowed a transformation of my
educational knowledge to take place. The first of these questions is one formed
by myself as I wandered the corridors of my Department on evenings with only
the school cleaners for company.
I needed to
come to understand what it was that drives me to want to come back each day
ready to face new challenges. In this I was fascinated by Johnson’s (2005)
question “Are you happy?” in which she acknowledges research as “Sunday best”
thinking by many practitioners and asks us to consider how important the
workplace is in providing us with key elements needed for personal well-being.
The most fascinating aspect of her writing however leads to considering
connections with the lives of the electorate. In education, our electorate is
the children that we teach, and I believe that collaborative research is a
means of establishing and enhancing this connection.
The second question is one
which will allow me to rest comfortably knowing that my participation and
influence have been significant in changing school culture. In this I refer to
the recognition of the value of the pupil voice as a means of improving not
only teaching and learning within that institution but moreover as a way of
enhancing dialogue and respect between student, teacher and stakeholders
involved in that context. In this I intend to go beyond the involvement of
students as researchers as advocated by researchers such as Ruddock and Flutter
(2004) and Fielding and Bragg (2003) by looking at the long term effects of
this type of engagement in schools and by showing how cross-generation research
can lead to collaborative dialogue across traditional peer groups.
This type of work, as
advocated by researchers such as Branko Bognar (2005), will support the
creation internationally of guidance (but not guidelines) for students by students in their work as
student researchers. I believe, as Bognar does, that the student voice is the
best medium for this type of guidance and that whilst researchers may write in
the third person about student research processes and outcomes, students themselves
are the best medium for this type of collaboration. This allows students to
learn from each other, and in this way expands on my work with
cross-generations of student researchers, in which co-mentoring and enquiry
have formed essential parts.
This enquiry has followed
and will continue to follow an action research cycle of the type advocated by
Whitehead (1993). This research methodology gives me a vehicle to answer the
question as posed by Whitehead (1993, p. 105) “How can I improve what I am
doing?” and allows me to create a responsive enquiry as the enquiry
progresses. In choosing this method, I agree with Evans (1995)
“During the Action
Research enquiry, I have seen the transformation in the way that teachers think
about themselves, and to believe that they have the support of their colleagues
to enable them to try out new ideas. The sharing of thoughts and feelings in
the Action Research group has enabled people to know that they can rethink
their values, develop new concepts of teaching and that they will be helped and
supported throughout the process. This has given them an excitement about their
teaching and learning which has increased their motivation for teaching, and is
infectious” (Evans 2003 p 46)
The methodology that I
wished to engage with in order to validate my enquiry forms part of what Dadds
and Hart (2001) have termed “methodological inventiveness”. Within this I have built as a researcher a
collection of methodological choices that allow me to “mix and match” these to best fit the needs of my self and the
enquiry. Their words speak as clearly to me now as they did three years ago
when I first read them:
“..what practitioners
chose to research was important to their sense of engagement and purpose…(but)
how practitioners chose to research, and their sense of control over this,
could be equally important to their motivation, their sense of identity within
their research and their research outcomes” (2001, p.166)
In
self-study of teacher education practices (s-step) studies of the kind I am
creating in this enquiry, having ownership over both the what and the how of the research process has been crucial. Of equal importance has also
been that the student-researchers too have ownership over their enquiry. The
enquiry that the student-researchers first undertook was directed by myself as
to its content, yet through the process of the enquiry the essence of what that
enquiry became was two-fold. The enquiry manifested itself into the impact that
student-researchers can have upon an organisation as well as how working as
researchers alters the learning environment for the students involved. These
learning outcomes emerged alongside the original intention of the research, and
through this writing I aim to show you how this methodological inventiveness
allowed this transformation of the what to occur alongside the how. I also aim to support Dadds’ and Hart’s
rhetorical question:
“We now ask ourselves
whether methodological innovation, far from transgressing from the norm, ought
perhaps to be accepted as a more natural, necessary and legitimate part of any
open-minded research culture that is seeking to enhance quality” (2001, p.167)
The
quality and rigour of this writing is of the utmost importance to the researcher
in s-step enquiries as without satisfying these two areas, the researcher is
left in a position of being untrue to the self, that which is the very starting
and ending point of the enquiry. With regards quality of the research, I intend
to respond to Bullough and Pinnegar’s call for quality in autobiographical
forms of self-study research. They argue for:
“Quality
self-study research requires that the researcher negotiates a particularly
sensitive balance between biography and history. While self-study researchers
acknowledge the role of the self in the research project, such study does not
focus in the self per se but on the space between the self and the practice
engaged in…The balance can be struck at many times during the self-study
process, but when a study is reported, the balance must be in evidence not only
in what data has been gathered and presented, but in how they have been bought
together in conversation” (2001,
p.15)
and that
The
consideration of ontology, of one’s being in and toward the world, should be a
central feature of any discussion of the value of self-study research" (Bullough & Pinnegar, 2004 p. 319)
In presenting to you a
multi-voiced text and multi-sourced imagery, I aim to reach the balance of
which Bullough and Pinnegar talk. I believe that biography is an important part
of this text, in that it informs the reader of events and circumstances that
highlight present courses of action or decisions made. I believe that through
my creative and living response to these voices and images, I can show a
transformational dialogical process between the self and the participants of
the research.
In response to questions as
to the rigour and quality of the approach of this s-step enquiry, I intend to
refer to Winter’s (1989) six key ideas and also to a framework for ‘quality’ as
outlined by Furlong and Oancea (2005) in their recent paper. In the first of
Winter’s ideas, reflexive, I will show that the norms of
practitioner-researchers working with student-researchers are being challenged
and expectations altered as a result of practice. In the second, dialectical, I
will describe to you how I am living with creative tension in the contradiction
that I recognise my self to be. In the third, risk, I will describe to you the
willingness that I show both in the work with the student-researchers and in
the position of risk that I have placed myself at various points in the course
of this enquiry. I have experienced failure and have learnt to transform this
into a learning condition from which one can risk again to succeed.
In the fourth, plural
structure, I can show a challenge and discontentment with portraying a smooth
story of self. In the fifth, multiple resource, I am using multi-media to
enhance my enquiry and drawing upon a range of both academic and non-academic
literature to support and challenge my enquiry. Finally, in the sixth, theory
practice transformation, I am creating within this enquiry my own living theory
with the aim of enhancing and transforming the contribution that students make
to education and to each other’s learning.
Winter’s key ideas support
my choice of referring to Senge’s (1990) notion of the creative tension that
exists between our current situation and that of personal vision. Senge
describes this as:
“(a) rubber band which is
stretched between vision and current reality. What does tension seek?
Resolution or release. There are only two possible ways for the tension to
resolve itself: pull reality towards the vision or pull vision towards reality.
Which occurs will depend on whether we hold steady to the vision” (p.150)
I wish to expand the idea of
personal vision to that of a shared collective vision that comes as the result
of a shared love for what we do.
The inclusion of multi-media
as a means of representing this enquiry I believe enhances what I could say in
words alone. It allows the reader of this script to hold snapshots of the
enquiry, whether in terms of moving or still image. It allows him/her to become
more involved in the text and to experience those moments which are key to the
enquiry itself. It breathes life onto the page, and allows both you and I to
maintain our focus in what we read, hear and see. It is my hope that when you
have finished reading you may hold one of those images in your mind as a memory
of the engagement with this paper. In this you will have shown yourself capable
of engaging with me.
I believe that understanding
is key to the success of the enquiry which I intend to continue. It is my
intention therefore, as stated by Whitehead, that I can demonstrate my
inclusivity of response to those involved with the enquiry. It is my intention
for the enquiry to be readily shared with the student-researchers involved in
the process, and to allow them to comment upon and alter parts with which they
are not comfortable. It is also my intention for the text to be multi-voiced,
as demonstrated so ably by the first generation of student-researchers in
telling their story. The first person comments and narrative allows
descriptions of events other than by my self, and also enhances the validity
and responsive nature of the enquiry.
My own enquiry is an
example of research coming from within one’s own practice, and in doing so
recognising and calling upon my own tacit knowledge in the formation and
pursuit of this enquiry. Furlong and Oancea (2005) refer to the traditional
boundaries between this academic research and policy and practice:
“Traditionally it has been assumed that there is a distinction between the worlds of research and the worlds of policy and practice. On the one hand there is the world of research, based on explicit, systematic work aimed at the growth of theoretical knowledge. Practice and policy on the other hand are seen as taking place within the “real world” –a world based on different forms of knowledge-for example on tacit knowledge and on practical wisdom”(p.5 2005)
I am arguing, as referred
to by Furlong and Oancea, for closer dialogue and cooperation between the two
fields. I can prove undoubtedly how academic-based research has allowed my own
practice-based research to grow in understanding and rigour. I can demonstrate
how a relationship of cooperation and mutual respect can advance both sides of
the research community. In my conversations and work with Sarah Fletcher, an
academic researcher at the University of Bath Spa, both of us have reached new
levels of understanding in terms of students’ work as researchers, and how
cross-generational researcher between students can enhance this research
process. This enhanced understanding is no better demonstrated by the following
“snapshot” (Carnegie Foundation) as produced by both Sarah and myself in
wanting to share the students’ work:
http://www.cfkeep.org/html/gallery.php?id=45789724910436
Sarah shows the need for
this evidence in her comment:
“I realised that if we didn't create an archive we would
forget and lose ideas and we have collaborated with
the boys on a ground-breaking venture” (electronic mail received on 19/09/2005)
In outlining the debate
for quality as part of practice-based research, I agree with Furlong et al as
they state:
“Applied and practice-based research are not
methodologically-depleted forms of research; rather they can be innovatory
modes of research that cater for a different set of needs and define quality in
terms of social robustness” (p.10)
This is in line with the
concept of methodological inventiveness as outlined by Dadds and Hart (2001)
and as highlighted by myself above as a central necessity of my own
practice-based research.
My intention is to base the
assessment of the quality of my own research in line with Furlong et al’s four
categories of quality that they propose in their paper. These relate to the
economic, epistemic, technological and capacity building and value for people.
I shall seek, not only to validate the quality of my research through these
categories, but also to identify the suitability of these categories as capable
of defining quality on practice-based research. It is interesting to note that
this paper was written by two academic researchers, both based at Oxford
University, and in this I note the absence of other voices to substantiate the
framework for assessing validity as outlined by Furlong et al.
At this point in the enquiry
I believe that I can demonstrate an enhanced quality of responsiveness between
students and students, and between students and teachers, as to the nature of
dialogue in the classroom enhancing relationships and what we do. I can
demonstrate how generations of researchers working in collaboration together
can transform relationships between peer groups and between teacher, student
and academic researcher. I can show how the outcomes of such enquiry are dual in
nature. These include both the original intention of the research to enhance
understanding on the nature of teaching and learning, as well as the awareness
that students gain as a result of this. This type of collaboration has led to a
dynamic relationship between generations of student-researchers, classroom
teachers and academic researchers in promoting the understanding of the impact
of this type of work.
The following is an extract
from my writing shortly after the student-researcher group had made the
presentation of their interim-research outcomes to various colleagues within
the school. I believe that this abstract demonstrates in part what I have
claimed above:
“I shall never
forget this presentation. The students gave an articulate and well-managed
presentation that led everyone in the room to be impressed with their capacity
as researchers. The two aims of the project were conflicting for myself.
Although I certainly wanted to promote the use of students as researchers
within the school, I also desperately wanted a return for myself of the time
spent during the project. The “What’s in it for me?” turned the presentation
from a presentation to convince others of the worth of this work, to being
worthy of my time commitment in terms of personal learning for my classroom
work as a result of the project.
In this sense, the presentation delivered. At the end of the session
I had personally gained in terms of my classroom practice, and how to use
objectives to greater effect in the classroom. This for me was the key to
students as researchers, that both sides were allowed to learn in the process
of conducting the research”
I also wish to share the
following extract with you, as I believe that this demonstrates the
cross-generational nature of the research, as well as how a multi-voiced text
allows a more valid representation of others’ reflections:
“Shane
and Alex, whose story is told below, are now in their third year working as
researchers. They have returned in many ways to the ideology of the passive
learner within the classroom at Bishops, although they also retain the
wisdom
to reflect on their learning whilst being aware of the sensitive nature of the
knowledge that they possess. They have realized there only certain
practitioners are at the stage of accepting students as researchers within
their classrooms, and therefore they continue on their A-Level course with a
sense of inner confidence about the knowledge that they possess.
I feel that it is important to share with you reader, at this point, the Shane and Alex story. Although I introduce this section, the majority of it comes from them directly in their own words:
Alex: “My name is Alex Dunning, and I used to work with
Mrs. Riding at Westwood St. Thomas on the student research programme before she
came here. We didn’t work by ourselves as students as you are doing here, but
we worked with her on the student research work which she was doing then”
I was interested in
Alex’s comments here, as he was referring to the difference in ownership
between my research at Westwood, and my research at Bishop’s. At Westwood, it
was very much teacher-led and student-focussed, but now the roles had been
reversed with the students becoming the self-study focus”
I believe that I can also
demonstrate how the uniqueness of marriage and co-enquiry living alongside each
other allow the individual to respond to intuitive judgements over time. There
is an enhancement of the individual’s values and passion for that which he/she
does alongside a shared loving response to what we do and how we do it. The
following is an extract in which I begin to make sense of this relationship:

“Simon and I are hoping, in our connectivity of enquiry, to show originality of mind in the responsive and loving way in which we are co-creating together. We are also learning to be worthy of the other in our role as co-practitioner. When Simon came to work with the sixth-form Mentors (at my school), he showed great angst at “wanting to do a good job”. He wanted to demonstrate his capacity to the highest extent in this task that I had selected him for. Likewise, if working with the teacher-researcher group at his school, Bitterne Park, I feel under immense pressure to be the best that I can be. We want to be worthy of the other and also make the other proud of our achievements and our skills.
These feelings of
striving to be the best that one can be with a spouse are a driving force of
mutual respect. If both husband and wife share the same professional sphere, I
strongly believe that these individuals will produce the best work of which
they are capable.
Alongside this, there are much higher stakes when the personal relationship is involved alongside the professional. At the end of the working day, there is still the need to recount one’s successes and failures, highs and lows. There is also the unending support and love that goes alongside this. These factors combined, I believe, will allow Simon and myself to be the best that we can be in life”
I refer to Naidoo’s
thesis (2005) “I am because we
are”, as I believe that it supports the life-affirming energy that Simon and I
share.
The next steps
In the next part of my
enquiry I wish to explore how we are able to sustain our passion over time. Our
passion for what we do and the values that we hold. It is the longevity of the
relationships that fascinates me. I wish to see the student-researcher movement
be recognised at the institution level, and to see how enquirers from different
international perspectives share common features and aspects. I wish to follow
the social dynamic of the student-researchers and see how this transforms over
time. I am in this for the long run, and I am aware that I have opened these
students’ eyes to a new understanding beyond passive compliance in the classroom.
My enquiry will focus upon the effects of this as students move to different
groups, different contexts and different institutions. A key focus will be upon
the emergence of a new first generation of student-researchers as the original
generation move into Higher Education. I am looking forward to “my” enquiry
developing further into a shared enquiry, in which a multi-voiced text takes
increased importance. I look forward to understanding why I do what I do, and
how the other shares and alters this dynamic.
The enquiry that I share
with you is no smooth story of self, and I am hoping to prove both to my self
and to my reader that I am learning to have the courage to be. In this sense I
refer to the courage to talk in the “I”, to understand this “I” and to at last
come to peace with this “I”. Learning to live with creative tension as a
positive force which drives me further, as advocated by Senge (1990) shows me
that I will need to include a “warts and all” account of events, in order that
you may live with me through events. In this, I aim to prove to you that this
has been possible. It is the quality of responsiveness that I hold as an
individual to this enquiry. Other researchers such as Delong (2002) have
already shown this capacity. Delong has demonstrated this in the way in which
she has developed a culture of enquiry within her workplace. It is my intention
to draw upon these enquiries to support and challenge my own.
Joan Whitehead (2003)
talks about making the possible probable. I believe that I can already
demonstrate how the establishment of student research can improve and transform
dialogue between teachers and students. I have shown my colleagues that this is
possible. In the remainder of the enquiry I wish to transform this into the
social dimensions of the institution, and show how this can become probable at
this level. I wish to demonstrate the probability of changes in the
organizational development of the school, into a culture where student voice,
participation and awareness influence our work and support us in developing a
shared vision.
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